Hundreds of musical and rhythmic starting points instantly. Just have a recording device handy.

A true noiz warper with absolute uncertainty.
A performance beast of a thing...it just hungers for constant random bits of sounds and manipulates them into a lost cavern of noiz. It's the granular sonic equivalent of taking a ride on Albert Hoffman's bicycle. Chaos Magick in a box to manifest your noiz desires.

This is a preamp like no other. Yes, it does take a while to become familiar with the way it responds. Yes, some of the most desirable settings are located at quite extreme pit settings, both high and low. And, yes it is all definitely worth the effort. This isn’t the most flexible preamp you’ll ever use. There will be applications for which it won’t be your first choice. But, there will a myriad of occasions where this plain looking little box will add so much magic and sparkle to your recordings that you’ll be unable to stop smiling for a week. In the age of computer recording, as we all battle to reinsert the ‘soul’ of the music we know got lost, the 636P2 is the antidote to many of your ills. It’s not cheap, it’s not perfect, but, it is a thing of genuine beauty, that rewards effort and makes things ‘better’. What more could you want?

This wonderful box needs sampling so much! I assumed I'd be more interested in the rhythmic setting, but texture is so good too! There's subtle modulation and panning going on, it's brilliant at wonky goodness! Can't wait to try and record it into clips on into the 1010 Music BlackBox and loop it live. Soundgas were great with updates on delivery too. Get one if Fieldtone do another batch.

Fieldtone continue to knock it out of the park! I was lucky enough to snag a 'Box Of Uncertainty' recently, and absolutely loved the insanity of that particular device.
This wondrous device is a different take on a sampling theme, and provides endlessly useful results, even after the source material is beautifully mangled.
Bravo Fieldtone, you've done it again!

As a tool for creating random rhythms this wins hands down with a unique take on trad looper pedals. That you can then flip this device on its head for textures and filmic interludes that can evolve under their own steam or be taken on a journey with a turn of a knob elevates it even further. Plugging in Ciat Lombarde gear or in fact any gear opens up new possibilities. As a rich source for samples and just plain weirdness from v little original sounds get into it this is a game changer.

This is analogue chorus at its very best and delivers those shimmering 80s chorus tones in spades. The rate and depth controls allow you to create a huge range of sounds, all of which remain usable and familiar. The resonance and wave shaper controls broaden this sonic palette considerably without ever slipping into special effects territory. There is useful visual feedback on the speed of the modulation which also adds a classy look to the unit. The pedal is happy with line level signals and the vibrato button removes the unprocessed signal from the output meaning that it could find a productive home in your studio as well as on your pedal board. If you’re looking for those classic chorus tones then this modern take on the classics BBD unit, which comes with a warranty and is built like a tank, will get them for you in a package that should withstand the rigours of the road better than a 40 year old vintage box.

This is an excellent high quality bit of kit. Although by no means the cheapest, you’d frankly be mad to plug in your vintage Japanese gear into anything else.

Quite simply the easiest way to add new tones to your vintage synth collection, this device rocks, rolls and modulates its way into your heart. Whether you’re adding an extra LFO to Moog model D or interfacing with studio effects that take CV input this device puts you right where you want to be. The control is precise, variable and full of unexpected delights. This box lets you coax previously unimagined delights from your existing gear. The most cost effective studio upgrade you’ll do this year. Buy one!

awesome. i thought i was buying something different but this is way better. its like having sly & robbie come by.

I bought this for a Stax electrostatic headphone energizer which I imported from Japan. The model I bought cannot be modified to UK voltage (without ordering a new mains transformer at great expense). The Airlink 100VA step down works faultlessly. Utterly silent and no physical hum or vibration.

This is an extraordinary machine that offers a very different sound palette and means of manipulating sound to composers/musicians. Thoroughly enjoyed my journey with it so far and it is likely to become an essential part of my live music set up.
The music world needs more devices like this to enable musicians to develop their own musical voice and means of expression.

Great service from Soundgas, always a pleasure to work with. Fantastic to have the T80sRC back in the rack after a misguided gear purge a couple of years back!

I bought the TE KO-1320 this time, after previously purchasing the KO-130 several months ago. Even though this one has many similarities with the original, it offers a wide range of new performative and sonic options that make it well worth the price. As with most pieces from TE, it offers unique performative options that you don't find elsewhere. At first I though TR was trolling with this, but now that I have it, I absolutely love what is coming from it. If you are looking for an unusual yet highly useful and versatile sampler/instrument, this is it.

I still have the amp and the from panel with the loudspeaker:)