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Roland AP-7 Jet Phaser - Mint & Boxed!

We've seen some good examples of these pedals before but this only the second we've found in this...

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PRODUCT DESCRIPTION

We’ve seen some good examples of these pedals before but this only the second we’ve found in this kind of condition. Looks like it has never been used – there’s not a mark on it or any wear on the footswitches. Comes with the original box also in great condition.

These rare units were amongst the earliest pedals made by the Roland Corporation in Japan in the mid seventies.

It’s a great-sounding pedal – thick fuzzed-up swirly phasing effects – the speed ramps up or down between the fast and slow settings (using the footswitch on the right) just like a Leslie speaker. Pure Larry Graham, very Hendrix.

Lots of different tonal options – this is an awesome pedal.

Serviced and in perfect working order.

Condition of the pedal is mint. Box is very good condition for its age. Click on the photos to zoom and see more images.

It runs on two 9v batteries (supplied).

Price includes VAT at 20% (for sales in UK/EU) – buyers outside the EU please contact us for tax-free prices. VAT-free sales possible to businesses and individuals in the EU (outside the UK) with a valid VAT Number.

Often wrongly-credited as being responsible for the sound of the solo by Ernie Isley on The Isley Brothers ‘Summer Breeze’ (including by us) however we are indebted to Ebay user audible23 for setting the record straight:

“I used to think this pedal was the sound of Ernie Isley, but a recording engineer corrected me a long time ago. Here is a fairly recent interview with Ernie Isley explaining the sound.
The HUB: Your soaring guitar work on “That Lady” put rock guitar sounds in the spotlight-and that was pretty revolutionary for soul-inflected music at at the time. How did you get that sustain-drenched sound?
Ernie Isley: We were working with the same engineers Stevie Wonder was using on what would become Innervisions. We were working on the record that became 3+3. There was a fuzz box and a phase shifter by Maestro, and that was pretty much it. (Phaser would be a PS-1A and the fuzz was a Big Muff)
These sessions happened in 1973 and the AP7 wasn’t available until 1975 so it probably wasn’t used on the Summer Breeze track which was also cut during the same period. The Jet Phaser was probably designed with the intention of imitating this iconic sound.”

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